Tag Archives: Bill Moyers

2010 forgotten vignettes

NewYork_2010-09_802-lobbyWhen I first moved into 802, an art deco building in Washington Heights, I adored the mural of the prancing maiden and her leashed—antelopes?—in the lobby. I still love them and the quaint building. But one day last summer, I walked in and saw these hideous sofas placed in front of her. It was clearly a sign: my days in 802 were numbered. Before these, there had been an equally old and musty sofa, but it was less gaudy, and the color at least matched her blouse.

As I packed to move, I heard lots of great stuff on NPR (like astrophysicist Brian May’s Bohemian rhapsody interview) that I wanted to look up and listen to again, undistracted, but didn’t have the time. When I was writing the chrissie/lebron/akron bit, I remembered the Rita Dove piece I heard on Selected Shorts: Strong Men, Stronger Women and intended include her in post (yes, she’s from Akron), but forgot. When I unpacked American Smooth I remembered. It demands a listen. (I listen to stuff when I clean. Makes it bearable.)

Dance is woven through American Smooth and it makes me wish, again, I had more time to dance and time to learn more. But I’ve barely time to do the things I’m committed to do well. It does make me sad that American culture has such little place for gathering to dance. One of the reasons, surely, why we are so fragmented.

Yesterday, I saw Barbara Ehrenreich on PBS. She mentioned her book: Dancing in the Streets: A History of Collective Joy. A nice change from her usual reportage about America becoming more and more like a third world country because of government favoritism of the wealthy and the insane wealth disparities that have resulted. (Did you know that “janitorial service” is the fastest growing job in the USA?) And because we don’t dance. My assertion, not hers. Maybe hers—I haven’t read the book yet.

american_smoothMy decision to finally get the internet at home so I could watch PBS (inspired, I admit, by the Circus! ads on the subway) was not misguided.

I just happened upon this line from Rita Dove, from an interview with Robert McDowell: “In African American culture, dance has always been a key element—a communal activity that soothed and united all levels.” From my travels, it seems to be that dance is something that brings people together in most cultures, save white, protestant countries. Though to be fair, some white, protestant ministers appreciated dance. Dance was a part of my Lithuanian family, though mostly in stories of days gone by. After my grandmother died, I went to a party at the Lithuanian-American club in NYC (not somewhere I generally frequent), and we danced and danced until the wee hours. At least, the older folks did. I went to a friend’s elaborate Indian wedding a few months ago, and everyone danced. What a joy!

_________________________________________

Bolero by Rita Dove

Not the ratcheting crescendo of Ravel’s bright winds
but an older,
crueler

passion: a woman with hips who knows when to move them,
who holds nothing back
but the hurt

she takes with her as she dips, grinds, then rises sweetly into his arms again.
Not

delicate. Not tame. Bessie Smith in a dream of younger,
(can’t you see?)
slimmer

days. Restrained in the way a debutante is not, the way a bride
pretends she
understands.

How everything hurts! Each upsurge onto a throbbing toe, the prolonged descent
to earth,

to him (what love & heartache done to me), her body ferocious,
a grim ululation
of flesh—

she adores him. And he savors that adoration, this man in love
_________________________________________with looking.

She feels his look,
his sigh

and she moves, moves with him to the music in the space
_________________________________________allotted them,

spot lit across
the hardwood floor.